stacking klon and timmy

https://www.thegearpage.net/board/index.php?threads/1434114&highlight=klone+timmy. Its neutral nature just gives you more from your amplifier, and it also allows the Centaur to pair nicely with other, more tone-coloring pedals. These two pedals complement each other beautifully, with the Power Boost smoothing out the wild, hairy edges of the Muff, while adding some mid-range definition to help it penetrate the mix. They work, sure, but they simply dont sound as good stacked as they do alone. I was never terribly enamored of the added saturation the boost added to the Tim--more over-caffeinated OD than distortion. Blonde & Brown Z's sound best!! The 1.7 was always my favourite, but ever since I began running the 2.0 in 18-volt mode it's kind of in the lead. Despite its size, it's pretty damn versatile, thanks to three clipping options. Based on your location, we've changed your settings: By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Doesn't quite answer your question but I have an OCD version 1.7 + 2.0. This next one has been around for a while, since before people even started stacking pedals. It started through guitar amplifiers. I was running the Timmy into my Klon KTR - but last night I tried Klon KTR into the Timmy and liked the sound WAY better, so that is the way it is staying on my board - for what it is worth. Your fingers, your speaker(s), your power supply, your tubes, your cables every piece of your gear, put together, makes up a system and every part of the equation matters. Both pedals have an external tab jack. Knowing what that curve is will help you know how and where to stack a pedal. Click off the Tonebender and turn on a Fuzz Face and voil! That's part of the fun of it. You can also shape it a bit more than you can the OCD with the EQ. Everyone gets a Klon because it's mystical and hard to get, and they use it as a clean boost, which I don't understand. They're made for each other, like peanut butter and jelly, or grilled cheese and strawberry jam**. Luxe bidet neo 120. Now, this is obvious because companies like myself have made pedals that combine these into one, like my Double Barrel that has the Morning Glory and a Tube Screamer. It's wide and tall. Three-band EQ, cycle-able gain stages, four clipping diode voicings, internal presence and tone controls, and a footswitchable MOSFET boost make this the most versatile Blues Breaker on the market. I prefer an analog delay as the quarter note front, and then I like a nice digital delay for the dotted eighth repeats. Have you ever used more than one distortion pedal at a time? some people like to stack them though. Of course, there are times when total cacophony may be exactly what youre looking for. Turn your old gear into new gear with the Sweetwater Gear Exchange! The Timmy has the gain at about just under 10 0 clock - just enough to add some warmth, a touch of grit when I strum real hard. Randy has agreed to share his secrets and vast knowledge with us on Monday's and Tuesday's ( When he's not on tour of course) He has been performing his Tribute to Jimi since 1977 and has also played with many other artists. Stacking experiments are a wonderful way to come up with new, interesting sounds, potentially leading you to write new music, play guitar in a way you haven't before, or even find your signature tone. The BOSS RV-5 is a really, really great option here; it's on so many albums and so many great players still use this. Seriously though, I do it all the time. I use Klon a lot for rhythm and solos, add Timmy to kick in more overdrive/distortion. I actually like octaves that are a little more glitchy that don't track as well, because the pedals that are technically bad sometimes sound really good. Original models of the Klon have now become some of the most sought after guitar pedals ever made. I hate it as a clean boost. To explain this, Ill paraphrase Jim Gaffigan, Of course, cops like ambient clean guitar tone. It ensures the correct amount of power goes to your tip-negative keyboards and electronic devices. JavaScript is disabled. Many players seek transparent overdrives like the Timmy, the Himmelstrutz Fitzo or the Hungry Robot to add gain but not additional EQ to a more uniquely voiced overdrive. Canyon Guitars 360-701-8795 12829 Pacific Hwy SW. Lakewood, WA. Turn the pedal on and play the same chord. Does anyone stack their klone (I'm looking into the ARC EFFECTS one) into a timmy? You must log in or register to reply here. You don't want to get all crazy and wash it out. You let one run quarter notes, and the one after it runs dotted eighth notes. I've worked in fields where I was required to hear very minute differences in audio signalsI trust my earsand the people who paid me put them to the test and found that they could trust them as well. You must log in or register to reply here. 1995-2022 Harmony Central, Inc. All rights reserved. Some of the add-ons on this site are powered by. Electric Guitar Gibson Fender Ibanez Yamaha PRS Guitar . So to fix that problem, you need to add a Tube Screamer. Two of them employ NOS through-hole germanium diodes, while the other three substitute modern silicon ones. It's awesome for clean tones. I run my Klone ahead of my dirtier Nobels, Rat style OD's. I've tried stacking overdrives, but they kept falling over, so now I just place them side by side. Designing a pedal had been on the docket for Dr. Z Amplification for a long time, but the idea only came to fruition when Dr. Z joined forces with EarthQuaker Devices'Jamie Stillman to build the Dr. Z Z-Drive. All hardware replaced with Gotoh including the bridge, knobs, and locking tuners. This is a really good go-to combo. The key to making this combination work is setting the gain and Volume on each pedal modestly, and running it into a relatively clean amp. I even made a double boost/overdrive pedal, the Kirkland Signature Boost, which John Mayer has had on his pedalboard forever. Browne Amplification Carbon $219+ | Click title for video. I vote used dod 250. I run a Hardwire CM2 or a SD1 into it, depending on what I feel like that day. I use my OCD as my main gain sound, and kick on another OD or fuzz as a boost. Here, the relevant question tends to be "Rat before or after Rat? 59 . If you have this setup, try it. I also use an Xotic EP boost for stacking. Based on the Klon Centaur, somewhere between Transparent and TS-style. For the reverb and tremolo, the Strymon Flint is really great. Each new drive will shape the EQ and most drives also increase compression. For a better experience, please enable JavaScript in your browser before proceeding. Obviously, there are endless ways to stack guitar pedals. The only problem is, this kind of experimentation requires access to a wide variety of different pedals, and many players do not have that luxury. The Timmy is an always on pedal used more as a clean boost to slightly dirty up my cleaner tones. You can make the screamer side of this cleaner and get kind of a transparent sound, and then the distortion side definitely has heavy mids. You must log in or register to reply here. As you can see, just a few pedals can cover a ton of ground. You will be surprised by how much your tone is altered by each small change. Molecular geometry shapes and . Klon vs. timmy. His resume includes hundreds of radio and television appearances, as well as thousands of live performances in America and abroad as lead guitarist for the legendary Oak Ridge Boys. But that's why we play guitar, right? To give yourself a different set of sounds, start with a pedal that has the tonal characteristics of a specific amp, ideally one that is different from your amp. The MXR Timmy has more dynamic presence than your regular overdrive. ~ Private rehearsal studio available ~ Completely private, no neighboring bands ~ Top of the line equipment ~ Feel free to contact me for booking *$30 per hour w/ a minimum of 3 hours. The possibilities are endless. One of the pedals it is known to play very nicely with is the original Marshall Blues Breaker, which was Marshall's attempt at cramming the distinctive tone of their amplifiers into a stompbox. Super reasonable pricing. While painfully incomplete, hopefully it will give you some info for practical application and serve as a jumping-off point. This website uses cookies to improve your experience. Klon Centaur Guitar Distortion & Overdrive Pedals, Fulltone Guitar Distortion & Overdrive Pedals, That's what I'm sharing. Seriously, just try them both ways and see what you like. Klon Centaur; Horizon Precision Drive; Boss OD-1, SD-1; Analogman King Of Tone; Timmy Overdrive; Marshall Bluesbreaker MK1; The Kemper Drive recreates all of these sought-after overdrive tones, and at the same time, goes far beyond . Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) OR using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? Literally, you could spend the rest of your life trying combinations. It's probably more comparable to a Klon, more of a dirty boost, and if anything it can be a bit bass heavy . Both of my boards have four OD pedals with a Timmy being the first in the chain. Some fuzzes, for example, get too dampened and muddled by the inclusion of other dirty tones. So, Big Muff into a Tube Screamer. Powered by Invision Community. they will both say they are original designs and had different starting points. It's honestly a modern staple; this thing is on a ton of boards for a reason. With even EQ spectrum, based on Bluesbreaker, etc. Next up, take two boost pedals-- doesn't matter what they are --and combine them. By all accounts, this attempt was very successful, and the Blues Breaker remains a classic amp-in-a-box overdrive pedal. Are you using the Klon (Hi Gain / Hi Volume) to overdrive the Timmy (Gain wherever / Volume as Master) or using the Timmy (Low Gain / High Volume) to increase the volume of the Klon (Gain wherever / Low Volume)? The Timmy has a more versatile EQ section, but sonically they have very similar signatures. 2,520. Suzuki f8b specs. The words Fender, Telecaster, Stratocaster and the associated headstock designs are registered trademarks of the Fender Musical Instruments Corporation. Also, personal experience and popular opinion both suggest that putting the Screamer first is the best way to stack these two pedals, but that should not discourage you from trying it the other way as well. Please check the fields highlighted in red. If you want to see the reason this is cool, turn the drive knob up. The last combination may be the best because it's the most rambunctious. It has some great stacking possibilities. my Mandolin is 1915 1Year Newer than 1 in 1amst Photo Trade 1915 Vintage 22201 Amber Pumpkin Finish Orville Gibson Mandolin 1915 Vintage 22201 Amber Pumpkin Finish A guitar player buddy of mine stacks his Klone, a Bluesbreaker clone and a Rat to good effect. Is there any better bang for the buck in a new guitar than this. Please check the fields highlighted in red. Designed in collaboration with Joey Landreth, the Golden Boy is an end-all BB-style pedal. And then of course, you can go with any of the fancy new Line 6 stuff, like HX Effects. Both of my boards have four OD pedals with a Timmy being the first in the chain. It is a more musical-sounding overdrive that blends in beautifully with amplifier crunch - perfect for when youneed even more harmonic complexity. **For reference, the case is bigger than my head. Used (normal wear), 2000s Reissue of the Classic Tube Screamer Overdrive used on countless songs. Clavey paddle sports petaluma blvd s petaluma ca. Myself? The TIM I had could get some of the sounds A/B'd direclty with a klon and vice versa (gritty boost, fat clean boost) BUT they are different in too many aspects to really be comparable. : () . (Image credit: Future) For a better experience, please enable JavaScript in your browser before proceeding. and our The tone stack on the Timmy is excellent. It's also an inspiring creative exercise. Hey! For our purposes, you need to know, for example, that some drive pedals work better with some amplifiers than others. Some pedals sound better turned up or driving your amp harder. You can turn the middle Nam to the middle and is a total fender To be heard. Okay, lets get down to business. ", wrong its chinese clone of rat before or after chinese rat 2. You are using an out of date browser. eBay item number: 304918709122. Stull trying to dial in a decent boost tone. That said, it's a great, versatile pedal. The GT-500 is a great two-in-one, and like my Double Barrel or some of these others, you have an order toggle so you can choose which side comes first. whats up with klons on ebay anyway GHEY the tim is the timmy with a boost and effects loop. Here is a short list to provide a starting point for stacking drive pedals. In truth, just about any low-gain, gently mid-focused boost or drive pedal should do the job in this scenario if set up correctly. Here's a look at the pedals behind the sound. You are using an out of date browser. Stacking Overdrive Pedals | Reverb Pedal Tricks 290,974 views Jun 16, 2016 Stacking overdrives is an art form, and one that can easily go awry. Strat Talk is the leading online community and marketplace for Stratocaster guitars. Also, get a Klon and try it as a heavy overdrive. Whatever youre looking to experiment with, you can find that delay effect on here. Your purchases help youth music programs get the gear they need to make music. He is also the first-call session guitarist for Sweetwater Studios. I was shooting for two pedals on a piece of 3/4 ply. There are some other options that are affordable and awesome: the Tumnus by Wampler, the Archer by Rockett Pedals, and the Sacred Cow by Mojo Hand FX. You have all kinds of builders doing that nowadays. The Keeley Electronics Red Dirt Overdrive guitar pedal delivers classic drive, plus amazing sonic versatility that makes it at home in any musical setting. I stack a TS9 and a CTO-1, obviously not exactly the same, but based on that I would recommend using the Timmy last as the more flexible tone controls will be more effective after the TS and may be needed to avoid muddy tones. TC Electronic Spark Booster (has Gain option). Special Fender strap locks for your strap certificate and candy. These dynamic duos make an excellent place to start stacking, as they are generally a foolproof method of getting great tones right off the bat, and they can provide an excellent foundation for future tone experiments. I hope this primer on stacking distortion pedals helps you find more sounds that inspire you to create more music. For example, assuming that you are largely happy with your tone as it stands, consider trying a low-gain overdrive to add subtle grit and character. By Gite d'etape communal le monastier sur gazeille. YouTube and various guitar forums can be helpful when embarking on a stacking adventure, but the only sure fire way to determine if two pedals are going to play well in your rig is by hooking them up on your pedalboard, stomping on switches, turning some knobs, and listening. It may not display this or other websites correctly. Trust me. The new timmys sound closer to the TIM now. The Tim is a honking big piece of pedal metal. And before you ask, no, were not defeating the Huns. It sounds like Martian food. If so, youve officially stacked its that easy. Ah that was just what I was wondering cause I read a lot of threads mentioning that the Klon makes everything after it sound much better. For me, I consider it an always . So what do you guys think? Between the Klon, Timmy & TS you should find all the boost you need. The reason I use the light gain overdrive is because I like having my first stage overdrive with no mid peak in it. markT. MXR Timmy - street price $/129 If the waitlist and the enclosure size have been putting you off pulling the trigger on a Timmy, MXR has the answer, with this downsized take on the classic formula, approved by Paul himself. On any pedal board I have, I set this pedal to a light breakup and never turn it off; I keep it as a stage one overdrive, almost a natural part of my amps sound. Stacking dimed drives often results in tubby, indistinct tone. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. 144,000 . one is all i need. This is a shredding machine. Below are a few hints to help you expertly wade into the exciting and very-wide world of dirt stacking. These are just things that I stumbled into, things that I was inspired to do by artists that I love. A clean boost can be used as gain boost in front of an overdrive pedal or a volume boost if placed after. See giveaway details & rules or check out our past winners! Build Your Own Clone and General Guitar Gadgets both sell really good Blues Breaker kits for DIY-inclined guitarists, and Mooer and Snouse Electric, among many others, sell very affordable pedals that accurately clone this simple, wonderful circuit. Set the octave up with about 50% dry signal, if you have that option. To learn more about our cookie policy, please visit our Privacy Policy. TS-style drives boost mids, taper highs and lows, and add some compression and a bit of clean, undistorted signal to the mix. I run my KTR actually somewhat high - 2 o clock to 3 o clock or so. You just made a DIY overdrive. Check those out. Responsive controls let you dial in a wide.

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